Handmaid's Tale, Offred and Offglen shopping in the Loaves and Fishes grocery store

Sarai and Hagar: The Original Handmaid’s Tale (Genesis Chapter 16)

When I’m analyzing characters or stories, I don’t necessarily go in chronological order. Last week we were in chapter 17 of Genesis. This week we will look at chapter 16. With the TV version of Margaret Atwood’s Handmaid’s Tale starting a new season on Hulu, I thought this would be an interesting scene for many people.

Genesis Chapter 16

In chapter 15, God promised to give Abram a son “of his own issue,” and to give all the land of Canaan to his descendants. Chapter 16 picks up about ten years later. Abram and Sarai have been trying to have a child, and they are no spring chickens. Abram was 75 and Sarai was 66 when God first made that promise. Sarai never had a child of her own, even when she was young. Now they are 85 and 76, respectively. Sarai is afraid if Abram is limited to her, he will never have a son of his own issue, no matter what God said. To borrow a phrase from Atwood, no matter how many times she said, “Blessed be the fruit,” the LORD was not opening. So she approached her husband.

Handmaid's Tale, Offred and Offglen shopping in the Loaves and Fishes grocery store.
A scene from the Loaves and Fishes grocery store

Now Sarai, Abram’s wife, bore him no children. She had an Egyptian slave-girl whose name was Hagar, and Sarai said to Abram, “You see that the LORD has prevented me from bearing children; go in to my slave-girl; it may be that I shall obtain children by her.”

(Gen 16:1- 2 NRS)

Hagar is Sarai’s slave-girl, also called a handmaid. In Abram and Sarai’s culture, this seems to have been an accepted practice. If a man’s wife was unable to conceive, the man could obtain children through his wife’s slave (presumably, if the wife permitted it). But as we already know, Abram did not weaken in faith when he considered his own body or the barrenness of Sarai’s womb. So he told Sarai, “Just calm down now. God promised us a child, and God is faithful to fulfill God’s promises. We don’t need a plan B.” You know I’m kidding, right?

And Abram listened to the voice of Sarai. So, after Abram had lived ten years in the land of Canaan, Sarai, Abram’s wife, took Hagar the Egyptian, her slave-girl, and gave her to her husband Abram as a wife.

(Gen 16:3 NRS)

…and [Sarai] gave her to her husband Abram as a wife? I doubt that “wife” is a good translation here, because clearly in the rest of the story, Sarai was Abram’s one and only wife. She would not have let Hagar forget that. Perhaps “concubine” is more accurate.

A lot of people look at them in this situation and think, “Why did Abram and Sarai not trust God? God promised Abram would have a son.”

Here is the problem. God told Abram he would have a son “of his own issue,” but God did not specify it would be through Sarai (15:4). It has been ten years since the promise, and still Sarai is barren. He is now eighty-five, and she is seventy-six. Marriage contracts recovered from this period often included a provision that if a wife was not able to deliver a son after ten years, she must supply a handmaid to give him a son. The original audience would have recognized this. They would have thought this was why Sarai was coming to him now with this offer.

What Could Possibly Go Wrong?

He went in to Hagar, and she conceived; and when she saw that she had conceived, she looked with contempt on her mistress. Then Sarai said to Abram, “May the wrong done to me be on you! I gave my slave-girl to your embrace, and when she saw that she had conceived, she looked on me with contempt. May the LORD judge between you and me!”

(16:4-5)

Okay, if I’m Abram, at this point, my first thought is, “Oh, it’s all my fault? And whose idea was this in the first place?” And how she describes the wrong done to me, when you look at it in the Hebrew, reveals a lot about her.

The Hebrew word for “wrong” here is chamas. It is occasionally translated “wrong” in a general sense. But more often, it means specifically “violence.” For example, Jeremiah says this to Babylon after they conquered Jerusalem: “’May the violence done to me and to my flesh be upon Babylon,’ The inhabitant of Zion will say” (Jer 51:35 NAS).

One of the authors of the Psalms says, “Their mischief returns upon their own heads, and on their own heads their violence descends” (Psa 7:16 NRS).

Abimelech, one of Gideon’s sons, killed all seventy of his siblings with the help of the men of Shechem to make himself his father’s heir. But later, the men of Shechem “dealt treacherously with Abimelech … so that the violence done to the sons of Jerubbaal (Gideon) might be avenged” (Jud 9:23-24).

The word for “violence” in all these passages is chamas. Sarai equated the wrong Hagar was doing to her with mass murder.

May the LORD judge between you and me.

People only used this expression when they were 100% sure that the wrong, or the violence, done to them had no cause or justification. The responsibility of the other party was so obvious, they knew God was on their side (cf. 1 Sa 24:12, 15; Exo 5:21; Jud 11:27).

If you invoke God to judge between you and another, you’d better be right, because God will judge justly and with no partiality. I don’t buy for one second that Sarai did nothing to provoke Hagar in this. And Abram bears some responsibility, but certainly not all of it, as she claims. Hagar may have done wrong to her, but Sarai not even considering the wrong she did to Hagar.

Abram gives her the same advice a wealthy slaveowner would give.

But Abram said to Sarai, “Your slave-girl is in your power; do to her as you please.” Then Sarai dealt harshly with her, and she ran away from her.

(Gen 16:6)

“Sarai, dear, did you forget who is the master and who is the slave? You don’t have to take it from her if you don’t want to.”

And Sarai is like, “Oh yeah. Time to remind her who the queen of this household really is.” She strikes back at Hagar, and Hagar runs away.

What Are We To Think of Hagar?

When [Hagar] saw that she had conceived, she looked with contempt on her mistress. Why is she looking with contempt on her mistress? Because she’s just a “B-word, rhymes with witch”? That is a question you really have to think about if you intend to turn this episode into a fictionalized account, especially if you want it to be as good as Atwood’s Handmaid’s Tale. You would have to consider her situation and how that would affect her attitude. You would have to flesh out just how she showed contempt for her mistress in what she said and did. And then you would have to flesh out what Sarai did when she dealt harshly with her. Whatever it was, it would have to be bad enough to make her run away, while pregnant, with nothing but desert around her.

Let’s start with that question, “Why is she looking with contempt on her mistress?” You could go with the B-word explanation, but that would ignore critical details about Hagar’s situation. She is a slave. She has already experienced the dehumanization of being sold or given to Abram and Sarai like a piece of chattel and taken from her home in Egypt (Gen 12:16-13:2). Then she is told her master will come in and lie with her, because her mistress decided that for her. Did they ask her if she would help with their fertility problems? She might have been willing if they had asked, and she saw how desperate they were to have a child.

Today, some women are willing to be surrogates for infertile couples. They negotiate the terms of conception (usually in-vitro, but that was not an option then) and what kind of care or compensation they receive. Hagar never had that chance. You didn’t negotiate with your slaves. You ordered them. “My husband needs to have a son. The LORD has withheld me from having children, so you’re going to do it in my place.” That was the negotiation.

Abram and Sarai saw nothing wrong with this. Your slave-girl is in your power. You can do with her as you please (Gen 16:6). They expected Hagar to accept this, because that was the way it was in their world. Many other slaves had to do the same, and they accepted it. It probably never even occurred to them she might have feelings about this. The most intimate decisions regarding her own body were taken from her, and something in her knew it was wrong. She would not accept the status of being property and not human. Like most slaves, she obeyed out of self-preservation.

The Handmaid's Tale, Madeline Brewer's character Janine, caption reads: Your body is no longer your own.

But when she conceived, that gave her a leg up on Sarai. She finally had a chance to let out the resentment she had kept inside, because, Don’t upset me. You don’t want to hurt the baby I’m carrying. Her resentment was not just at Sarai and Abram. It was at the whole system that did not recognize her rights as a woman or as a human being. Let’s not sugarcoat it. What was done to her was legitimized rape. Should we be surprised she showed contempt for her mistress?

And yes, it was no different for her than for countless other slaves. You could legally do anything to your slave you wished. They did not recognize at that time that slaves were human, made in the image of God, and as such had certain inalienable rights. Hagar was one of those independent souls who, over time, forced us to come to terms with an entire institution whose purpose was to dehumanize others. If you ask me, she should have been on that list of heroes of the faith in Hebrews 11.

Serena and June Anyone?

If you’re familiar with The Handmaid’s Tale, you probably think this saga between Sarai and Hagar sounds like the relationship between Serena and June. June went along with the system in Gilead she was forced into, but she resented it. She resented the system that took away her husband, took her daughter away, made her the handmaid of Serena and Fred Waterford, and in every way possible told her that her only value was her ability to receive Mr. Waterford’s seed, get pregnant, and bear a child for Mrs. Waterford. The child she was forced to conceive would not even be hers. It belonged to Fred and Serena. It was primarily for Serena’s benefit, because she could not have children of her own. June’s family, career, autonomy, and even her name were taken from her, so a wealthy, powerful, childless family could use her womb, and she had no say in it.

There are a few moments of connection between her and Serena, but Serena is mostly harsh with her. She’s a little jealous that June can give her husband something she can’t and takes that frustration out on her. June engages in little acts of defiance, quietly, and mostly behind their backs, but gradually she becomes bolder with it, especially after she conceives. She milks the concern for the baby for all its worth. And she aims some insults right at Serena’s greatest insecurities.

In her introduction to the novel, Atwood does not name this particular scene but rather the episode where Rachel gives her handmaid Bilhah to her husband Jacob, so she can have children (Genesis 30:1-8). But as I described the characters of Serena and June, don’t they sound just like Sarai and Hagar? I’m not knocking Atwood for lifting these characters from the pages of the Bible. On the contrary, I think what she did is a fantastic example of the potential of Biblical Fiction for creating compelling drama.

Biblical Fiction Vs. Christian Fiction

The Handmaid’s Tale is not Christian Fiction, in case you were wondering. There’s too much sex, cursing, and graphic violence for it to be Christian Fiction. Biblical Fiction, you have to understand, is not the same as Christian Fiction. Christian Fiction has strict rules about what kind of worldview and morality your characters can present and endorse. Characters can be morally ambiguous at first, but in Christian Fiction, they usually convert to a Christian worldview and morality by the end. But in this Biblical text all of the characters are morally ambiguous, and there is no “conversion” for any of them. Biblical Fiction does not have to follow the same rules as Christian Fiction, because the Bible doesn’t.

Atwood (perhaps unwittingly) took these characters from the Bible and placed them in a modern dystopian setting with new names. She did not take the Christian approach of turning Abraham and Sarah into heroes and Hagar into a villain. She kept all of their moral ambiguities intact. That is why Atwood’s story works so well. Her approach not only makes the characters more believable and human. It is a more faithful rendering of the Biblical text than the rules of Christian Fiction would allow. It highlights how unjust and dehumanizing the society of Gilead is. June acts like a fiercely independent handmaid would in a society like Gilead, and so does Hagar. The Waterfords act like members of a privileged class would act, and so do Abram and Sarai.

This is getting a little long, so I’ll continue this in the next post.

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Remember Hagar ran away to escape Sarai’s harsh treatment? What happened to her? The saga continues in the next part of this character study. If you are interested in buying a copy of The Handmaid’s Tale, you can follow my affiliate link here. My “Recommended” page has links to this and other excellent examples of Biblical Fiction.

Thoughts on the Game of Thrones Finale. **SPOILERS**

Alright, I didn’t want to pile on about how disappointing it was, but I’ve got some things I just have to get off my chest. The biggest problem was they needed to make the season longer. I was worried when they said there would only be six episodes in this season. “How can they resolve everything there is to resolve in six seasons?” I thought. Turns out they couldn’t. Really, trying to resolve everything in six episodes, they were setting themselves up for failure. So let me join the chorus of wailing and gnashing of teeth one last time.

The Battle of Winterfell

This is not one of my complaints. I don’t understand why folks were disappointed in the Battle of Winterfell. What? You wanted it to be longer? Stretch it out over two episodes? You mean a full hour-plus episode of a bloody, gory battle with Night Walkers and dragons, back and forth, ups and downs, seesawing between hope and despair wasn’t intense enough? You needed your blood curdled and nightmares for two weeks, not just one?

But the Night Army crumbled so easily. Of course the Night Army crumbled. We all knew killing the Night King was key, and Arya (perfect choice for the job) did it. It took every army and every knight in Winterfell to pull it off. Two characters who needed redemption – Theon and Melisandre – found it. I don’t see how they failed there.

The Battle of King’s Landing

After cheering for Danaeris Targaryen so long, after she had overcome so much to get to this place where King’s Landing and the Iron Throne were in her grasp, she reverts back to her mad ancestry and burns everything to the ground. I was disappointed in her. I think they could have set that kind of turn better (if they hadn’t made the season so short), but in the end it felt like the kind of twist I had come to expect from Game of Thrones. She had just enough reasons that I understood it, though that does not seem to be the consensus among fans.

But then we get to the final episode, and that was just wrong in so many ways.

Bran the Superfluous

Bran’s character was unnecessary. All he did was pass on information. They could have done the entire series without him. If they were going to take that turn, his character needed to be developed much better. And he knew all along he was going to become king? If so, why bring up that Jon Snow is really Aegon Targaryon and the rightful heir to the Iron Throne? Why present his brother as an alternate to Dany if he knew all along he would be king? If that was the turn they were going to take, 1) they needed to develop Bran into a full character, and 2) they needed to make the end for Jon not so dreary. Either have him claim the throne or die fighting for his people, but going back to the Night Watch after you’ve flown dragons just is not the way to end his story arc.

Earth shattering revelation (Eh, not so much)

Jon Snow was the guy everyone wanted to be king, and turned out he was the rightful king. Sure put a monkey wrench in Danaeris Targaryen’s “inevitable” march to the Iron Throne, and turned her lover into her rival. That could have set up a much more dramatic showdown, if they had not cut the season so short.

But they raise the expectations that Jon will (if reluctantly) be revealed as Aegon Targaryen and have to take the throne, only to send him back to the Night’s Watch? He led armies to victory over the Wildlings (including a giant), the Boltons, and the Night Army. And did I mention he’s one of two people in the world who can ride dragons? That ending for him, after building our expectations for much more, was just not right. It feel like they cheated just because they had to end it.

Winter is coming?

They forgot about winter that had been all the talk for the first half of the series. If they had used it, that could have added another layer to the threats.

Dany

They could have done more to make her story arc feel complete. I think Kristen Lamb said it well. If they had added even a couple more episodes,

The writers could have:

a) Made the battle against the White Walkers more than the single largest disappointment since New Coke. {I disagree about that being the biggest disappointment, but leads to further points.}

b) Ratcheted the ‘end of the world’ feeling that WOULD entice characters make utterly STUPID decisions.

I’m looking at you, Jaime Lannister.

c) With heightened doom—losses against the Walkers and weather, Cersei refusing to render aid, and the sheer emotional stress that Dany was failing those she’d promised to save—Dany’s final acts of madness would have felt far more organic.

Her zealotry could have grown from subtle (which they already HAD) but then her fanaticism would’ve had a bit more time to bloom in proportion with the threat.

–“Game of Thrones: A Song of ‘I Literally Can’t Even’” https://authorkristenlamb.com/2019/05/game-of-thrones-storytelling-cautionary-tale/

Even though I said I understand her scorched earth strategy at the end, I think Lamb’s suggestions would have made it more understandable, even if we did not like it.

Arya

She became one of the most badass characters on all of television. But except for killing the Night King, she looked weak most of the time. She had always been in complete control, able to slip in and out of any situation at will. But she looked scared of the zombies in her castle (The after-show explained her head injury made her dizzy and not quite as confident). She looked as lost as the city-folk running through King’s Landing. Then they ended Episode 5 with her rising from the ashes to find a white horse, ride it out of the city, thus setting her up to be… I don’t know, maybe a mythical figure of death akin to one of the Horseman of the Apocalypse. You think badass Arya has returned. Again, set up, no pay off.

If you ask me, she should have been the one to kill Dany. She could have done the deed, stood in front of the Iron Throne and let Drogoro burn her with the Iron Throne, sacrificing herself for the peace of the Realm, and opening the way for Jon Snow to be revealed as Aegon Targaryen, and take the, uh, we’ll have to make a new throne, but you get the idea.

Maybe they thought that was too predictable. But if they wanted to give us a surprise at the end, it had to be better than Bran the Broken. And whatever the surprise, they had to do a better job of setting it up. Which means my fears were founded. They could not bring everything to a satisfactory end, or even close to it, in just six episodes.

The Short Season

Having to wrap up everything in six episodes made the ending feel rushed, like they forced characters to do unnatural things just to get to the end. Of course, GoT is known for having characters surprise us. It’s one of the things that made it so addictive. But those surprises still have to feel organic. When you end with characters we’ve followed throughout a series doing things that don’t feel true to them, surprises are not good. When you give the reader a set up (like Jon Snow is Aegon Targaryen), there needs to be a pay-off. Bran as king and Jon Snow moping back to the Wall does not feel like a pay-off at all.

Maybe they thought Jon becoming king would have been too predictable, but at least I wouldn’t have felt cheated. If they didn’t want that, they shouldn’t have set us up for it.

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For us as authors, we can learn a lot about storytelling done right from the earlier seasons of GoT. But the fans’ universal outcries of disappointment provide some important lessons as well. My biggest takeaway is this is a reminder not to rush your ending. Most often, it is what readers remember most after they read and/or watch. Take the time you need to develop the character arcs and the story arc so that it feels right. You don’t want it to be predictable, but you don’t want it to be inevitable. The best reaction you can get from the reader at the end of your story is, “I should have seen it coming.” The worst reaction you can get is, well, if you’ve read this far, you have a pretty good idea.

Now for a more satisfying way to end that saga, here’s a link to a performance of the GoT theme song featuring Tom Morello of Audioslave/Rage Against The Machine, Scott Ian of Anthrax, Nuno Bettencourt of Extreme, Brad Paisley, and Game Of Thrones composer Ramin Djawadi. Very Cool.

Led Zeppelin sermon

September 7 marked the 50th anniversary of Led Zeppelin’s first live performance. They have been my favorite band since I was sixteen. It seemed a good time to follow through on something I told my friends in college, that I could make a sermon out of Led Zeppelin songs, so here goes. There are 79 songs in here. See if you can find them all.

50 years since the first gig. Led Zeppelin. September 7th, 1968

Feeling dazed and confused ‘cause you’re trying to find your stairway to Heaven? Ten years gone, and you’re still searching for the houses of the holy? You’re out on the tiles, sick again ‘cause you got the hots on for nowhere. Life is wearing and tearing on you. You can’t sleep because of what is and what should never be. When you’re under the Crunge, life can feel like you’re being trampled under foot. It ain’t nothing but a communication breakdown between you and your creator.

Whether it’s in the evening or on some night flight to a southbound suarez, it’s like I told Darlene, my black country woman, “Your time is gonna come.” Oh that living loving maid. She’s just a woman. When she left me down by the seaside, I cried, “I can’t quit you, Baby,” but she just said, “Hey, hey, what can I do?”

Life was lonely as tea for one. I sailed away and threw myself into the ocean, waiting for Moby Dick to swallow me. But in the darkest depths, I heard God say to me, “Fight for your life.” And for the first time I knew, I mean I really knew, God is with me always.

So believe me when I tell you, friends, it doesn’t matter if you’re a rover and an immigrant, traveling the riverside and singing the blues. You can go over the hills and far away to some misty mountain hop, and God is there for you. You can travel to the black mountain side of Bron-Yr-Aur, and God is there. Even in the ozone, baby, God is there. How many more times must I tell you, God is with you through good times, bad times, even when the levee breaks.

Poor Tom. He thought the Devil was his rock and roll, but that black dog don’t give no quarter. He wants you to keep wandering, lost in the rain. I know because I faced my own devil, and I had to admit to him, “You shook me.”

Oh yes! Oh yes! It’s nobody’s fault but mine. But I’m free today because I told that old heartbreaker, “Babe, I’m gonna leave you,” and I left my wanton ways behind.

Hats off to Roy Harper. He took Walker’s walk to the gallows pole, where he made Achilles’ last stand. In his time of dying, he cried out, “Oh my Jesus! Oh my Jesus! Oh my Jesus! Oh my Jesus!”

So stop being a fool in the rain and step in the light. Because wherever you are, going to California or Royal Orleans or Kashmir or D’yer Maker, the song remains the same.

I don’t mean to ramble on, so let me bring it on home. I’m gonna crawl if that’s what it takes for you to understand. I’m sending you all of my love to let you know this is how you win the battle of evermore. Not with four sticks, but two, joined together. He took that cross on himself to show he’s got a whole lotta love for you, and he won’t never quit you.

Do you feel it now? Do you hear that Carouselambra of the Spirit? Hot dog! This is your celebration day! Are you wondering what you should say? Thank you would be a good start. We’ll boogie With Stu. I’ll bring lemons and tangerines and give a Bron-Y-Aur Stomp, because these are your dancing days. You’ll be like a kid in a candy store rock. That’s the way you get through this life. Beloved, I tell you a mystery. You don’t need to search anymore, because you are all houses of the Holy. God bless all of you.