Faith Pitch, Feb. 28

Tomorrow, there is a Twitter event called Faith Pitch. It’s described as a

Twitter Pitch Party exclusively for faith-based fiction MS. Pitch agents & editors. Three 2018 dates: Feb. 28, June 28, Nov. 28! 8a-8pCST.

I’ve come up with two pitches to tweet for my MS of Through Fear of Death.

  1. One of Rome’s most popular gladiators is arrested, but his prison guard becomes his ally. Their unlikely friendship could be what saves Rome.
  2. One of Rome’s most popular gladiators wants his freedom. When he refuses to fight, he is arrested. But his prison guard becomes his ally. Their unlikely friendship could be what liberates Rome.

This is first a PSA for other Christian authors, if you have a manuscript you’ve wanted to pitch to agents and editors, you don’t want to miss this opportunity. Second, I would really appreciate feedback on how effective you think they are. Thanks for stopping by.

On Meeting Editors and Agents at Writers Conferences

Most writing conferences offer opportunities to meet with agents and/or editors one-on-one. Some people are confused about the purpose of meeting with an editor. Before you register for a writing conference, you need to be clear about this. And of course, meetings with agents and editors are for writers who want to be published through a traditional publisher. If you are self-publishing or indie-publishing, you don’t need to meet with agents and editors.

Logo for Carolina Christian Writers Conference 2018

But first, you need to understand there are two kinds of editors. Some operate like independent contractors. You can hire one to edit your manuscript. I’m still trying to decide if I want to do that, because it is an added expense, I’ve already done a good bit of self-editing, and I don’t know if it will really help me get accepted by an agent or publisher. But if I were self-publishing – which I’m still considering – I would definitely hire one of these editors, because I don’t have a traditional publisher to provide one for me. However, when conferences offer a chance to meet with agents or editors, these are not editors who edit your manuscript.

The other type of editor works for one publisher, and part of his/her job is to acquire new manuscripts for his/her employer, i.e., sometimes called an “acquisitions editor.” Ultimately, an editor is a gatekeeper to the publisher, but most of them will only accept manuscripts submitted by an agent. An agent has relationships with many publishers. He/she can submit your MS to editors who are looking for your type of book. Though the role of agent and editor is different, they are both at the conference because they are looking for new manuscripts and authors they believe are ready to publish now.

An agent is usually necessary to get your foot in the door with an editor. However, the one exception is at conferences, editors will hear pitches directly from authors. And if they like your pitch, they may ask you to submit a book proposal and sample or even a complete MS.

Logo for Blue Ridge Mountains Christian Writers Conference

So in moving up the ladder to publication:

  1. An agent shops your MS to (acquisitions) editors.
  2. An editor presents your MS to representatives of his/her specific publisher.
  3. Publisher representatives accept your MS and offer a contract.

At that point, you will want your agent to negotiate your contract with the publisher, and the editor will be your liaison with the publisher.

Moral of the story: Agents and editors are both necessary to get published, so talk to any of the ones who are most likely to be interested in your manuscript.

Q: So this is not an editor who is offering to edit my manuscript?

A: Correct. There may be some of those editors as attendees, but the kind of editors conferences will make available to you are the ones that could potentially get you accepted by a publisher.

Q: If these editors will only accept manuscripts from agents, should I only talk to agents?

A: Normally, yes. But as I said, the one exception to this rule is at conferences. When editors offer one-on-one meetings at conferences, they are offering a rare chance to bypass the agent and pitch your MS directly to them. If they like your idea, they might ask you to submit something to them. Every editor is different in terms of what they want to receive initially, but most will ask for a book summary and/or outline, some sample pages, and a brief author bio. Only submit directly to an editor if they ask, and give them what they ask for specifically.

Q: If through the conference I can get an editor to accept my MS without an agent, why do I need to talk to agents?

A: Two big reasons:

  1. Your chances of being accepted by an editor are still much greater through an agent than on your own.
  2. Even if you do get an offer from a publisher because an editor was excited about you and your MS, you should still have an agent represent you in contract negotiations. If publishers can take advantage of you, they will – even Christian publishers. They’re not bad people, but this is a business to them. They want the most advantageous deal they can get. An agent knows the tricks they will try to pull and how to protect you from them.

Q: What if I do get a publishing offer, but I don’t have an agent?

A: Contact a few agents who represent your type of book and tell them you have a publishing offer and need an agent. My guess is your phone will ring off the hook.

Q: How do I know what agents and editors are interested in?

A: Find a recent copy of the Writer’s Market. For the editors listed in the conference, look at their publishers and see what they publish. That will tell you what the editor is looking for. You might be able to find a copy in your library. However, if you are serious about getting your MS published through a traditional publisher, it is worth buying. If you want to focus on agents, the Guide to Literary Agents can give you more detailed info.

Q: So at the conference, is it better to talk to an agent or editor?

A: It’s best to talk to whoever is most likely to take an interest in your manuscript. You will need both of them to successfully navigate the publishing process. If you get an editor first, you should have no problem finding an agent. If you get an agent first, his/her job is to get your foot in the door with an editor. Where you start your journey is not nearly as important as finding someone who really wants to help you get in.